Musika elektronika

An Musika elektronika amo an musika nga nagamit hin mga dekuryente nga gamit musika ngan dekuryente nga teknolohiya musika ha iya paghimo.


PinanbasaranIgliwat

Mga reperensyaIgliwat

  • Aitken, Stuart (10 May 2011), "Charanjit Singh on How He Invented Acid House … by Mistake", The Guardian, London (10 May)
  • Anderson, Jason (2008), "Slaves to the Rhythm: Kanye West Is the Latest to Pay Tribute to a Classic Drum Machine", CBC News website, ginkuhà 5 June 2011
  • Angus, Robert (1984), "History of Magnetic Recording, Part One", Audio Magazine (August): 27–33
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  • Ankeny, Jason (2010), "Kraftwerk: Biography", Allmusic.com.
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  • Anonymous (n.d.(2)), "Synthpop", Allmusic Check date values in: |year= (help). (archive on 10 March 2011)
  • Anonymous (1972), Liner notes to The Varese Album, Columbia Records, MG 31078
  • Anonymous (1979), "Artists and Producers Strive for Inroads Overseas", Billboard (26 May): J–14, J–31
  • Anonymous (2001), "Theremin", BBC h2g2 encyclopaedia project (2 April), ginkuhà 20 May 2008. Guide ID: A520831 (Edited).
  • Anonymous (2006), "1935 AEG Magnetophon Tape Recorder", Mix: Professional Audio and Music Production (mixonline.com), ginkuhà 5 June 2011
  • Anonymous (2009), "23rd Annual International Dance Music Awards Nominees & Winners", Winter Music Conference, ginhipos tikang han orihinal han 2009-02-18, ginkuhà 2015-01-29
  • Bassingthwaighte, Sarah Louise (2002), "Electroacoustic Music for the Flute", DMA dissertation, Seattle: University of Washington, ginkuhà 29 Dec 2011
  • Bayly, Richard (1982–83), "Ussachevsky on Varèse: An Interview April 24, 1979 at Goucher College", Perspectives of New Music, 21 (no. 1 (Fall–Winter 1982) and no. 2 (Spring–Summer 1983)): 145–51, doi:10.2307/832872
  • Begault, Durand R (1994), 3-D Sound for Virtual Reality and Multimedia, Boston: Academic Press, 1994, ISBN 978-0-12-084735-8. (Online reprint, NASA Ames Research Center Technical Memorandum facsimile 2000.
  • Blashill, Pat (2004), "Six Machines That Changed The Music World", Wired, 10 (5): Batakan:Page needed.
  • Brick, Howard (2000), Age of Contradiction: American Thought and Culture in the 1960s, Ithaca: Cornell University Press., ISBN 0-8014-8700-5 (Originally published: New York: Twayne, 1998)
  • Bush, John (n.d.(a)), "Tomita: Biography", Billboard.com website, ginkuhà 5 June 2011 Check date values in: |year= (help)
  • Bush, John (n.d.(b)), "Snowflakes Are Dancing: Electronic Performances of Debussy's Tone Paintings, Isao Tomita", Allmusic.com Check date values in: |year= (help)
  • Bush, John (2009), "Song Review: 'Blue Monday'", Allmusic website
  • Busoni, Ferruccio (1962), Sketch of a New Esthetic of Music, translated by Dr. Th. Baker and originally published in 1911 by G. Schirmer. Reprinted in Three Classics in the Aesthetic of Music: Monsieur Croche the Dilettante Hater, by Claude Debussy; Sketch of a New Esthetic of Music, by Ferruccio Busoni; Essays before a Sonata, by Charles E. Ives, New York: Dover Publications, Inc., pp. 73–102
  • Bussy, Pascal (2004), Kraftwerk: Man, Machine and Music (3rd ed.), London: SAF, ISBN 0-946719-70-5
  • Chadabe, Joel (1997), Electric Sound: The Past and Promise of Electronic Music, Upper Saddle River, New Jersey: Prentice Hall
  • Chadabe, Joel (2004), "Electronic Music and Life", Organised Sound, 9 (1): 3–6, doi:10.1017/s1355771804000020
  • Chowning, John (1973), "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, 21 (7): 526–34.
  • Collins, Nick (2003), "Generative Music and Laptop Performance", Contemporary Music Review, 22 (4): 67–79, doi:10.1080/0749446032000156919.
  • Crab, Simon (2005), "The Hammond Novachord (1939)", 120 Years of Electronic Music website, ginkuhà 5 June 2011
  • Donhauser, Peter (2007), Elektrische Klangmaschinen, Vienna: Boehlau.
  • Doornbusch, Paul (2005), The Music of CSIRAC, Australia's First Computer Music, with accompanying CD recording, Australia: Common Ground Publishers, ISBN 1-86335-569-3.
  • Eimert, Herbert (1958), "What Is Electronic Music?", Die Reihe, 1 (English edition): 1–10.
  • Eimert, Herbert (1972), "How Electronic Music Began", Musical Times, 113 (1550 (April)): 347–349, doi:10.2307/954658. (First published in German in Melos 39 (January–February 1972): 42–44.)
  • Emmerson, Simon (1986), The Language of Electroacoustic Music, London: Macmillan.
  • Emmerson, Simon, ed. (2000), Music, Electronic Media, and Culture, Aldershot (Hants.), Burlington (VT): Ashgate, ISBN 0-7546-0109-9
  • Emmerson, Simon (2007), Living Electronic Music, Aldershot (Hants.), Burlington (VT): Ashgate, ISBN 0-7546-5546-6, (cloth) (pbk)
  • Engel, Friedrich Karl (2006), "Walter Weber's Technical Innovation at the Reichs-Rundfunk-Gesellschaft" (PDF), Richardhess.com, ginkuhà 18 June 2010
  • Engel, Friedrich Karl; and Peter Hammar (2006), "A Selected History of Magnetic Recording" (PDF), further editing by Richard L. Hess, Richardhess.com, ginkuhà 18 June 2010
  • Frankenstein, Alfred (1964), "Space-Sound Continuum in Total Darkness", San Francisco Chronicle (October 17) (Excerpt exist on History of Experimental Music in Northern California)
  • Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093
  • Gard, Stephen (2004), Nasty Noises: 'Error' as a Compositional Element, Sydney Conservatorium of Music, Sydney eScholarship Repository
  • Glinsky, Albert (2000), Theremin: Ether Music and Espionage, Music in American Life, foreword by Robert Moog., Urbana and Chicago: University of Illinois Press, ISBN 0-252-02582-2
  • Gluck, Robert J (2005), "Fifty Years of Electronic Music in Israel", Organised Sound, 10 (2): 163–80, doi:10.1017/S1355771805000798.
  • Griffiths, Paul (1995), Modern Music and After: Directions Since 1945, Oxford and New York: Oxford University Press, ISBN 0-19-816578-1, (cloth) (pbk)
  • Hammar, Peter (1999), "John T. Mullin: The Man Who Put Bing Crosby on Tape", Mix Online (1 October), ginkuhà 13 January 2010
  • Harris, Craig (n.d.), Tom Dissevelt: Biography, Allmusic.com
  • Hertelendy, Paul (2008), Spatial Sound's Longest Running One-Man Show, artssf.com, ginkuhà March 3, 2011
  • Holmes, Thomas B (2002), Electronic and Experimental Music: Pioneers in Technology and Composition (Second ed.), London: Routledge Music/Songbooks, ISBN 0-415-93643-8, (cloth) (pbk)
  • Holmes, Thom (2008), Electronic and Experimental Music: Technology, Music, and Culture (third ed.), London and New York: Routledge, ISBN 0-415-95781-8, (cloth); (pbk); ISBN 0-203-92959-4 (ebook).
  • Johnson, Steven (2002), The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, New York: Routledge, ISBN 0-415-93694-2
  • Krause, Manfred (2002), "AES Convention 112 (April)", The Legendary 'Magnetophon' of AEG, Audio Engineering Society E-Library., paper number 5605. Abstract.
  • Kurtz, Michael (1992), Stockhausen: A Biography, translated by Richard Toop., London: Faber and Faber, ISBN 0-571-14323-7
  • Jenkins, Mark (2007), Analog Synthesizers: Understanding, Performing, Buying: From the Legacy of Moog to Software Synthesis, Amsterdam: Elsevier, ISBN 978-0-240-52072-8.
  • Lebrecht, Norman (1996), The Companion to 20th-Century Music, Da Capo Press., ISBN 0-306-80734-3, (pbk)
  • Loubet, Emmanuelle (1997), translated by Brigitte Robindoré and Curtis Roads, "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s", Computer Music Journal, 21 (4): 11–22
  • Loy, Gareth (1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2 (Summer)): 41–48, doi:10.2307/3679656.
  • Luening, Otto (1964), "Some Random Remarks About Electronic Music", Journal of Music Theory, 8 (1 (Spring)): 89–98, doi:10.2307/842974.
  • Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–42, 145, doi:10.2307/3392376.
  • Maginnis, Tom (n.d.), [Musika elektronika ha AllMusic. Ginkuhà 30 December 2011. The Man Who Dies Every Day: Ultravox: Song Review] Check |url= value (help), Allmusic.com. (archive at webcitation.org)
  • Mattis, Olivia (2001), "Mathews, Max V(ernon)", The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrell, London: Macmillan.
  • Montanaro, Larisa Katherine (2004), "A Singer's Guide to Performing Works for Voice and Electronics" (PDF), DMA thesis, Austin: The University of Texas at Austin.
  • Morawska-Büngeler, Marietta (1988), Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986, Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
  • Norman, Katharine (2004), Sounding Art: Eight Literary Excursions through Electronic Music, Aldershot: Ashgate Publishing, Ltd, ISBN 0-7546-0426-8
  • Orton, Richard; and Hugh Davies (n.d.), "Ondes martenot", Grove Music Online, Oxford Music Online (Subscription access), ginkuhà February 2, 2011.
  • Ozab, David (2000), Beyond the Barline: One Down, Two to Go, ATPM (About This Particular Macintosh) website, ginkuhà 13 January 2010 Italic or bold markup not allowed in: |publisher= (help)
  • Peyser, Joan (1995), The Music of My Time, White Plains, N.Y.: Pro/AM Music Resources Inc.; London: Kahn and Averill, ISBN 9780912483993
  • Rappaport, Scott (2007), "Digital Arts and New Media Grad Students Collaborate Musically across Three Time Zones", UC Santa Cruz Currents Online (2 April).
  • Reid, Gordon (2004), "The History Of Roland Part 1: 1930–1978", Sound on Sound (November), ginkuhà 19 June 2011 Italic or bold markup not allowed in: |journal= (help)
  • Rhea, Tom (1980), "The RCA Synthesizer & Its Synthesists", Contemporary Keyboard, GPI Publications, 6 (10 (October)), pp. 64ff, ginkuhà 2011-06-05[full citation needed]
  • Roads, Curtis (1996), The Computer Music Tutorial, Cambridge, MA: MIT Press, ISBN 0-262-18158-4, (cloth) (pbk)
  • Rosen, Jody (2008), "Researchers Play Tune Recorded before Edison", New York Times (27 March).
  • Russ, Martin (2009), Sound Synthesis and Sampling (third ed.), Amsterdam and Boston: Elsevier; Oxford and Burlington: Focal, ISBN 0-240-52105-6.
  • Russcol, Herbert (1972), The Liberation of Sound: An Introduction to Electronic Music, Englewood Cliffs, New Jersey: Prentice-Hall.
  • Russolo, Luigi (1913), "L'arte dei rumori: manifesto futurista", Manifesti del movimento futurista 14, Milano: Direzione del movimento futurista. English version as "The Art of Noise: Futurist Manifesto 1913", A Great Bear Pamphlet 18, translated by Robert Filliou, New York: Something Else PressCS1 maint: others (link). Second English version as "The Art of Noises", Monographs in Musicology no. 6, translated from the Italian with an introduction by Barclay Brown, New York: Pendragon Press, ISBN 0-918728-57-6CS1 maint: others (link).
  • Schutterhoef, Arie van (2007), Sogitec 4X, Knorretje, een Nederlandse Wiki over muziek, geluid, soft- en hardware., ginkuhà 13 January 2010 Italic or bold markup not allowed in: |publisher= (help)
  • Schwartz, Elliott (1975), Electronic Music, New York: Praeger.
  • Snell, Karen Crocker (2006), "The Man Behind The Sound", Santa Clara Magazine, Santa Clara University (Summer), ginkuhà 13 January 2010
  • Snyder, Jeff (n.d.), Pierre Schaeffer: Inventor of Musique Concrete, ginkuhà May 2002 Check date values in: |accessdate= (help).
  • Sofer, Danny; and Doug Lynner (1977), "Pat Gleeson interview", Synapse: the Electronic Music Magazine, 1 (5 (January–February)): 21–24, 35.
  • Stevenson, Joseph (2004), Tomita: Biography, Allmusic website
  • Stockhausen, Karlheinz (1971), Texte zur Musik, 3, edited by Dieter Schnebel. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN 3-7701-0493-5
  • Stockhausen, Karlheinz (1978), Texte zur Musik, 1970–1977, 4, edited by Christoph von Blumröder. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN 3-7701-1078-1
  • Tal, Josef; and Shlomo Markel (2002), Musica Nova in the Third Millennium, Tel-Aviv: Israel Music Institute, ISBN 965-90565-0-8. Also published in German, as Musica Nova im dritten Millenium, Tel-Aviv: Israel Music Institute., ISBN 965-90565-0-8
  • Tyson, Jeff (n.d.), "How Movie Sound Works", Entertainment.howstuffworks.com, ginkuhà 28 March 2010
  • Ungeheuer, Elena (1992), Wie die elektronische Musik "erfunden" wurde...: Quellenstudie zu Werner Meyer-Epplers musikalischem Entwurf zwischen 1949 und 1953, Kölner Schriften zur neuen Musik 2., Mainz and New York: Schott, ISBN 3-7957-1891-0.
  • Unterberger, R (2002), "Progressive rock", All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul, in V. Bogdanov, C. Woodstra and S. T. Erlewine, eds, (3rd ed.), Milwaukee, WI: Backbeat Books, ISBN 0-87930-653-XCS1 maint: extra punctuation (link).
  • Vercoe, Barry (2000), "Forward", The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, edited by Richard Boulanger, Cambridge, Mass.: MIT Press, pp. xxvii–xxx, ISBN 0-262-52261-6.
  • Vine, Richard (15 June 2011), "Tadao Kikumoto Invents the Roland TB-303", The Guardian, London (14 June), ginkuhà 23 December 2011
  • Watson, Scott (2005), "A Return to Modernism", Music Education Technology Magazine (February).
  • Weidenaar, Reynold (1995), Magic Music from the Telharmonium: The Story of the First Music Synthesizer, Metuchen, NJ: Scarecrow Press, Inc., ISBN 0-8108-2692-5.
  • Xenakis, Iannis (1992), Formalized Music: Thought and Mathematics in Composition, Harmonologia Series, No 6 (revised, expanded ed.), Stuyvesant, NY: Pendragon Press, ISBN 978-1576470794
  • Yabsley, Alex (2007), "Back to the 8 Bit: A Study of Electronic Music Counter-Culture", Gamemusic4all.com, ginkuhà 5 June 2011
  • Zimmer, Dave (2000), Crosby, Stills and Nash: The Authorized Biography, Photography by Henry Diltz, New York: Da Capo Press., ISBN 0-306-80974-5
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  • Cheam, Ivan (2013), Electronic Music Tracks Review

Padugang nga barasahonIgliwat

  • Bogdanov, Vladimir (2001), Chris Woodstra, Stephen Thomas Erlewine, and John Bush (ed.), The All Music Guide to Electronica: The Definitive Guide to Electronic Music, AMG Allmusic Series, San Francisco: Backbeat Books, ISBN 0-87930-628-9CS1 maint: multiple names: editors list (link)
  • Best of Electronic Music Podcasts/Eurock Live
  • A. Patterson Light & Sound by Mikhail Chekalin, itunes.apple.com Best of Electronic Music
  • Cummins, James (2008), Ambrosia: About a Culture—An Investigation of Electronica Music and Party Culture, Toronto, ON: Clark-Nova Books, ISBN 978-0-9784892-1-2
  • Dorschel, Andreas, Gerhard Eckel, and Deniz Peters (eds.) (2012). Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. Routledge Research in Music 2. London and New York: Routledge. ISBN 978-0-415-89080-9.
  • Heifetz, Robin J., ed. (1989), On The Wires of Our Nerves: The Art of Electroacoustic Music, Cranbury, NJ: Associated University Presses, ISBN 0-8387-5155-5
  • Kahn, Douglas (1999), Noise, Water, Meat: A History of Sound in the Arts, Cambridge, MA: MIT Press, ISBN 0-262-11243-4, New edition 2001,CS1 maint: extra punctuation (link)
  • Kettlewell, Ben (2001), Electronic Music Pioneers, [N.p.]: Course Technology, Inc., ISBN 1-931140-17-0
  • Licata, Thomas, ed. (2002), Electroacoustic Music: Analytical Perspectives, Westport, CT: Greenwood Press, ISBN 0-313-31420-9
  • Macan, Edward L (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford and New York: Oxford University Press, ISBN 0-19-509887-0.
  • Manning, Peter (2004), Electronic and Computer Music (Revised and expanded ed.), Oxford and New York: Oxford University Press, ISBN 0-19-514484-8, (cloth) (pbk)
  • Prendergast, Mark (2001), The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age, Forward Batakan:Sic by Brian Eno., New York: Bloomsbury, ISBN 9780747542131, (hardcover eds.) ISBN 1-58234-323-3 (paper).
  • Reynolds, Simon (1998), Energy Flash: A Journey Through Rave Music and Dance Culture, London: Pan Macmillan, ISBN 0-330-35056-0 (US title, Generation Ecstasy: Into the World of Techno and Rave Culture, Boston: Little, Brown, 1998 ISBN 0-316-74111-6; New York: Routledge, 1999 ISBN 0-415-92373-5CS1 maint: others (link))
  • Schaefer, John (1987), New Sounds: A Listener's Guide to New Music, New York: Harper Collins, ISBN 0-06-097081-2
  • Shanken, Edward A. (2009), Art and Electronic Media, London: Phaidon, ISBN 978-0-7148-4782-5
  • Shapiro, Peter, ed. (2000), Modulations: a History of Electronic Music: Throbbing Words on Sound, New York: Caipirinha Productions, ISBN 1-891024-06-X
  • Sicko, Dan (1999), Techno Rebels: The Renegades of Electronic Funk, New York: Billboard Books, ISBN 0-8230-8428-0
  • Strange, Allen (1983), Electronic Music: Systems, Technics, and Controls, second ed.,[full citation needed]: W.C. Brown Co. ISBN 0-697-03602-2
  • Wells, Thomas (1981), The Technique of Electronic Music, New York: Schirmer Books; London: Collier Macmillan, ISBN 978-0-02-872830-8

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