Matsuo Bashō

Batakan:Contains Japanese text Matsuo Bashō (松尾 芭蕉?, 1644 – 1694), born 松尾 金作, then Matsuo Chūemon Munefusa (松尾 忠右衛門 宗房?),[2][3] was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative haikai no renga form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). Matsuo Bashō's poetry is internationally renowned; and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is justifiably famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. He is quoted as saying, “Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses.”[4] Hi Matsuo Munefusa, kilala nga Matsuo Bashō (Hinapon: 松尾芭蕉, 1644 - Nobyembre 28, 1694) usa nga Hapones nga maniniday. Kilala hiya nga giuupayi nga tighimo hin haiku, usa nga siday nga may 5-7-5 nga mga laton.

Matsuo Bashō (松尾 芭蕉)
Natawo Matsuo Kinsaku (松尾 金作)
1644
Near Ueno, Iga Province
Namatay November 28, 1694 (aged 50)
Osaka[1]
pansurat nga ngaran Sōbō (宗房)
Tōsē (桃青)
Bashō (芭蕉)
Trabaho Poet
Nasodhanon Japanese
(Mga) kilala nga buhat Oku no Hosomichi

Lista hin mga buhatIgliwat

 
Haiseiden (俳聖殿, Poet's Memorial Hall) in Iga, Mie, which was built to commemorate the 300th anniversary of Bashō's birth.
  • Kai Ōi (The Seashell Game) (1672)
  • Edo Sangin (江戸三吟?) (1678)
  • Inaka no Kuawase (田舎之句合?) (1680)
  • Tōsei Montei Dokugin Nijū Kasen (桃青門弟独吟廿歌仙?) (1680)
  • Tokiwaya no Kuawase (常盤屋句合?) (1680)
  • Minashiguri (虚栗?, "A Shriveled Chestnut") (1683)
  • Nozarashi Kikō (Record of a Weather-Exposed Skeleton) (1684)
  • *Fuyu no Hi (Winter Days) (1684)
  • Haru no Hi (Spring Days) (1686)*
  • Kawazu Awase (Frog Contest) (1686)
  • Kashima Kikō (A Visit to Kashima Shrine) (1687)
  • Oi no Kobumi, or Utatsu Kikō (Record of a Travel-Worn Satchel) (1688)
  • Sarashina Kikō (A Visit to Sarashina Village) (1688)
  • Arano (Wasteland) (1689)*
  • Hisago (The Gourd) (1690)*
  • Sarumino (猿蓑?, "Monkey's Raincoat") (1691)*
  • Saga Nikki (Saga Diary) (1691)
  • Bashō no Utsusu Kotoba (On Transplanting the Banana Tree) (1691)
  • Heikan no Setsu (On Seclusion) (1692)
  • Fukagawa Shū (Fukagawa Anthology)
  • Sumidawara (A Sack of Charcoal) (1694)*
  • Betsuzashiki (The Detached Room) (1694)
  • Oku no Hosomichi (Narrow Road to the Interior) (1694)[5]
  • Zoku Sarumino (The Monkey's Raincoat, Continued) (1698)*

Mga paghubad ha IninglesIgliwat

PinanbasaranIgliwat

  1. Louis Frédéric, Japan Encyclopedia, Harvard University Press, 2002, p. 71.
  2. 松尾芭蕉 (ha Japanese). The Asahi Shimbun Company. Ginkuhà 2010-11-22.
  3. 芭蕉と伊賀上野 (ha Japanese). 芭蕉と伊賀 Igaueno Cable Television. Ginkuhà 2010-11-22.
  4. Drake, Chris. 'Bashō’s “Cricket Sequence” as English Literature', in Journal of Renga & Renku, Issue 2, 2012. p7
  5. Kokusai 1948, pp. 248-9

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